Friday 5 September 2014

Fan Mail

Well, Paul O'Grady has given us another fabulous mention on his show! Last Sunday (31/08) he read out a  note from two lovely people who had seen us in Edinburgh.

The note said: 'Dear Paul, Thank you so much for your recommendation of the play The Road to Skibbereen at the Edinburgh Fringe. It was excellent and very moving.' And he added 'I told you it was, didn't I? It's a lovely, lovely play.'

How good is that???

Thanks again, Paul. And thanks to Eileen and Rob - I hope I'm spelling your names right? - for taking the trouble to write in.

Cheers,
Kath

Wednesday 3 September 2014

Smashing Audience Numbers

How's this for impressive news!

 'The Stage' has just published figures for the 'average audience at an Edinburgh Fringe show' and it's 44 people! That's including for the big shows with big names in big venues. Many of our flyering colleagues were reporting numbers under 10 and some even had to cancel performances when no one showed up at all.

How about us???  Well we had an average of 57!! Even our quietest day was a pretty respectable 28 and we had two days in the high 80s. If we'd been in a typical 60-seat space, we'd have been a sell-out show!

Of course, the four- and five-star reviews helped, as did comments like 'Extremely compelling... Incredibly powerful.. Heart-breaking' from Broadway Baby, 'Lovely comic moments' from Edinburgh Spotlight, 'Unerring, captivating and deftly measured intensity' from EdFringe Review and 'Terrific performance' from The Scotsman.

We're also very grateful to Paul O'Grady who recommended the play as one of his four Edinburgh Fringe picks on his Radio 2 show the very night we opened. Having a little flasher on the flyers with 'Wonderful', Paul O'Grady, Radio 2 on it helped us enormously. Thanks, Paul!

What next for the play? We've got a couple of irons in the fire. Watch this space and be first to know our next move.

Meanwhile, many thanks for your support.

Cheers,
Kath


Sunday 24 August 2014

Scotsman on Saturday

The Scotsman review is out and it's clear we left them wanting more!

Reviewer Sally Stott describes the play as  'a well-observed' and 'heartfelt' and she has special praise for Jessica Corcoran's 'terrific performance', as Lianna. Encouraging writer, Angela Walsh, to develop the work  further, Sally says 'it feels like we are just getting to know (the characters) when Lianna's mum... is leaving forever.'

Angela has been planning to expand the play to full-length, so it's great to know she's got The Scotsman's backing for the project.  It'll be too long for the Fringe then so 'watch this space' to see where we take it.

And, if you haven't been in to see us, yet, better get your skates on as, incredibly, we've only got two shows left!!!!

See you there,
Cheers,
Kath

Wednesday 20 August 2014

Five Star Review

'I've got news! I've got news!'

Not only a line from the play but true! And it's great news, too.
Today we got a five star review from Broadway Baby, and you can't get better than that!

In summary, they said:


Extremely compelling…  Incredibly powerful… Heart-breaking  

  
Here's the full review:





by Kyung Oh on 20th August 2014 

Lianna is a young woman with learning disabilities. Ever since her father died three years ago, her mother has had the full-on task of taking care of her by herself. The show opens with Lianna throwing a tantrum, while her mother tries to coax her into getting ready for her first day at a local college, where she is to take drama classes.

It is an extremely compelling depiction of the strength of a beautiful character who finds her path to self-actualisation in spite of her disability. 

The show alternates between scenes set at Lianna’s home with her mother and the ones set in the drama classes at college. The drama class discuss Macbeth together and rehearse for an upcoming performance. The supporting cast that play Lianna’s classmates and her teacher put on an excellent performance. The classmates show a lovable joy for acting and a genuine, child-like curiosity for the text of Macbeth, while the teacher is charming, patient and adept at leading the class discussions to fruitful grounds. As the play progresses, Lianna brings in what she has seen from her relationship with her mother into making astute observations of Lady Macbeth.

I cannot give enough praise to Jessica Corcoran, playing the role of Lianna. She perfectly portrays the transformation (rendered so brilliantly by the script) from self-centred and stubborn at first, to becoming a young woman full of courage, who resolves to take care of her mother by herself. It is incredibly powerful to see her find her feet and learn to make friends that she cares for and trusts as well as realising her talents as an actress. Meanwhile, she also struggles with the guilt that she might have exhausted her mother into falling into illness. Angela Walsh - who has written the script - also deserves ample praise for her role as Lianna’s mother. Full of concern for her disabled daughter, she is tired but tries as best as she can; once she realises that her mind has begun to falter, the way she copes and the dissolution of her character are heartbreaking to watch.

It is a very powerful script, which has won the award for best production at the Write Now Festival. It is an extremely compelling depiction of the strength of a beautiful character who finds her path to self-actualisation in spite of her disability. One of the later scenes with the mother’s letter was especially moving - I was in tears, sobbing by the end, and so were the majority of the audience members.
 

Tuesday 19 August 2014

Over Half -way

Wow!

It seems like only yesterday we were planning this - now the show is just over half-way through the Edinburgh run!

We've been getting fabulous audiences who have loved the play and given us some great feedback.

It certainly has helped to be one of only four fringe shows recommended by Paul O'Grady on his Radio 2 Sunday show a couple of weeks ago. There has also been a great buzz about the show with people who have seen it recommending it to others.

Were still waiting for some heavy-hitting reviewers to publish their thoughts but so far our favourite review comments are:


'This was a deeply thought-provoking work, which was deftly conveyed by the entire cast and... well worth seeing. The writer’s own performance as Lianna’s mother Nora was a particular highlight ' Ben Horton, EdFringeReview


'There are some lovely comic moments that happen so quickly they take the audience by surprise.' Isabella Fraser, Edinburgh Spotlight


'Walsh’s play is both a winning personal story and an authentic treatment of difficult societal issues. Lead Jessica Corcoran... (plays) Lianna with an unerring, captivating, and deftly measured intensity.' Ben Hickey, EdFringeReview


 Watch this space, or follow us on Twitter @TheRoadToSkibb  for more news as we move into our final week.

Cheers,
Kath
Tel: 0793 523 1013
kathrynrperry@gmail.com